Clyde Edgerton's Female Characters

She has talked to the man on the knell and did non thing he headph hotshoted black, but she is uncertain:

I'll enquire Charles slightly it when we're on speaking terms, and I'll tell him about how the sound comes through the vent; but if he is a nigger, he can't stay here. It won't work. The Ramada, maybe, but not here (Edgerton, Raney 32).

The novel is not about earth-shaking events, and most of the story concerns the adjustment to married couple the friction match must make, the impediments they encounter to such adjustment and the lessons they learn from a marriage counselor about how they need to listen to one another. What brings the both together in the first place is music, and turn it may seem little to hang a marriage on, the two do manage to overcome their very differences in the course of the novel:

Charles is very intelligent, and good looking in his own way--his head is slightly large, but I deal it just seems that way because his shoulders are narrow--and, oh, we had one or two little fusses getting ready for the wedding, but not much(prenominal) than you'd shake a stick at. And we've been playing music at different gatherings right along through all this--getting reform and better and having lots of fun. Charles learns real fast and we like the same music mostly (Edgerton, Raney 17).

A review in Publisher's weekly compliments the author for the manner in which he presents his biz without pretension and says that he

makes you smile at the artful innocence of

Raney's bigotry horrifies her husband, though in integrity it is a bigotry with an innocent underpinning--she is not mean-spirited but is exactly repeating the words she hears and reflecting the attitudes with which she grew up. Her family roots are very of the essence(p) to her, far more than Charles's are to him.

Indeed, he also decries the actions of her relatives, specially the way her mother makes herself at home. He criticizes the family when Raney's uncle commits suicide, and this is what causes Raney to leave him for a time. Charles is a thinker, and Raney is a reactor, someone who behaves or else than someone who thinks about the meaning of her behavior. This difference between the two is apparent in their every confrontation:

the bride and the smart-aleck liberalism of the groom ("Raney" 60).

This novel is told in the third-person, and Mattie's interpreter is heard as a character rather than a narrator. Yet, the author still manages to evoke Mattie as a real person and to make her thoughts and feelings known, though we see her from the outside rather than the inside. For Mattie, the boy who needs help is no more insecure than a plant or animal in trouble, and even he faces just as much peril from the orbit outside her home:

The differences between the two become more apparent once they are married:

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