Language is a signpost pointing the reader in the direction the writer wants them to go in. Good morning/good afternoon Mrs. Mal angiotensin-converting enzymey and class. Today I am here to jaw intimately distinctive voices, the three voices I shed chosen to talk about is beset Lavender and Claudia Valentine from Marel Days “The life and crimes of Harry Lavender” and Dexter Morgan from Jeff Lindsay’s “Darkly Dreaming Dexter.”
How have the composers of the texts created distinctive voices for their characters?
Distinctive voices can be described as voices having a special quality, style, attractiveness, or being nonable. Claudia’s distinctive voice is effective and shapes the woman that she is, her voice can be described as:
Confident: An example of this is when she is mingling in the club at the wake. She is confident in the way she speaks to the manpower and the way she presents herself. “I walked up to the bar and ordered a scotch. ‘Make that two.’ I turned to see one of the surfboarder boys grinning at me. I grinned back.”
Witty: An example of this is When Claudia arrives at the funeral and says one step closer to haven was the red brick chimney of the crematorium
Tough Talking: An example of this is when Claudia states “No one gets in my room, let alone my bed.
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Her voice is also molded by her personality, Claudia valentine is
Strong: Both physically with her karate and mentally with the situations she is attribute in, for example her detective live on previously and her detective work now with Harry Lavender.
Competent: She is a woman in typically a mans job and does it quite well.
Intelligent: Claudia is notable for solving mysteries as a detective.
Liberated: Means not bound by traditional sexual and social billets, which is shown at the start of the book with the empty bottle of whisky, lavish ash tray, and a “blond” in the bed, totally contradicting the traditional role of a woman detective....If you want to get a full essay, order it on our website: Orderessay
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