In Corkins piece, Cowboys and Free Markets: Post-World War II Westerns and U.S. Hegemony, he states that one theme of a traditional western is the, inevitable mastery of women to men (Corkin, 125). In the film, Mattie is skillful as powerful as the male char consummationers, even when being beaten by a male. Throughout the film Mattie displays leadership by pushing Cogburn though his tantrums and onward toward finding Tom Cheney. She displays intense confidence and involuntariness to give up. Mainly, Mattie proves her insubordination to men by finally putting to death Cheney herself.
Corkin later states that a western is associated with settlement of the frontier; declaring the claim for settlement and nationalism (Corkin, 127).
The main drive in True Grit isnt a need for settlement at all, but rather simple revenge. While traveling the west, Mattie does not find the urge to settle or live, but only feels a drive for catching her fathers murderer. Corkin states that, Westerns act to justify this world-system by presenting a scenario in which white, male American heroes are showing bringing order and civilization to one time benighted places (Corkin, 134). This film brings up no white, male hero, just white males helping the girl find justice for her father. The film True Grit does not accurately portray Corkins thoughts on Westerns.
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Corkin, Stanley. Cowboys and Free Markets: Post World-War II Westerns and...If you want to mother a full essay, order it on our website: Orderessay
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