Shot-By-Shot Analysis of the ?Picnic Scene in Citizen Cane Citizen Kane, produced, directed and meet the ?boy genius Orsen Welles, is considered by many to be the greatest beat in of all time. Written by Welles, and Herman J. Mankiewicz, the film is an investigating into the action of the deceased newspaper tycoon, Charles Foster Kane. It is told through a serial of well-crafted flashbacks, and highly revered for its violation of classic Hollywood conventions. In Citizen Kane, Welles innovative use of cinematography, sound, lighting, music, and editing, shape and propel the narrative, flick a more complete picture of Mr. Kane than each of the flashbacks could. This hear entrust focus on how the editing and other techniques of the 23 jibe Everglades picnic ecological succession relate to the thematic intentions of the sequence which appears in Susan Alexanders flashback, and marks the end of Susan and Charles relationship. The sequence begins with a resolve from Kane at X anadu, where Susan has taken to jig saw puzzles of outdoor scenes to consort the tedium and suffocation of her situation, to a medium fracture of the duplicate whose tensity is still quite visible, being chauffeured in a car. The tension comes from an argument the couple had shortly before, wherein Susan demands to go to newfound York, exclusively Kane decides on an Everglades picnic instead.
In doing so, the production which ensues denies Susan til now the pastime of the outdoors she got from her puzzles. She and Kane continue to argue, and we hear a color put which symbolizes Susans mood. This scene then dispels to a linear shot in deep focus of Kanes motorcade, appearing like a funeral promotion in their lifeless! uniform order. After the apparently interminable procession of black cars, there is a dissolve to a close up head shot of... If you want to hasten a full essay, order it on our website:
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