Erik H. Erikson Developmental Stages

This negative identity engenders despondency within Norman's personality, despair that is related to his inescapable knowledge of threatening death which Erikson (140) maintains "expresses the feeling that time is short, too short for the take on to start a nonher life."

Further, Erikson (140) states that "such a despair is much hidden behind a show of disgust, a misanthropy or a chronic contemptuous displeasure with event institutions and particular people." This characterization neatly describes Norman Thayer whom Canby (1) says is "furiously sensible of his corporal and mental decline and as frightened of death as he is angry with it."

In the case of Ethel Thayer, a muliebrity deeply in love with her husband and also very(prenominal) deeply involved with her daughter, the audience sees a portrait of a wife and mother caught between a conflict that is not of her making. Erikson (291) contends that a " charr passes through stages of life that are interlinked with the lives of those whose visible existence is? interdepend

Chelsea Thayer Wayne, a woman who has never achieved completion of Erikson's (194) conflict between identity and identity confusion, anticipates her make's criticism yet desperately hopes for his approval. As a climb on woman, Chelsea nevertheless functions as a child in her interactions with her father.

Erikson (104) has commented that " one and only(a) generation differs so much from another that items of tradition often become disturbances." Chelsea Thayer Wayne loves many of the traditions of her family (such as spending the summer at the vacation house) but anticipates that any interaction with her father will invariably be tense, a source of criticism, and threatening to her profess self-image. This is a man, says Canby (2), whose daughter has never been able to call him "dad."

ent with hers." Ethel Thayer is easily aware of her husband's physical decline and increasing debilitation. She is equally aware that her daughter needs to feel loved by her father and to overcome her fear of this man (Review: On Golden Pond, 1). For Ethel, therefore, purpose a way to help her husband and her daughter to colligate to one another is a major c
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